Tuesday, October 11, 2011

Week 4: Egyptian Art


Egyptian art has a very distinctive style, especially when it comes to depicting and portraying people. They had an interesting standard they used when depicting people, both men and women. When Egyptians interpreted people, they had many different outlets to describe who those people were. They also had a specific way to measure and draw out their art. All these different aspects combined make the Egyptians very creative in their art.
They used size, realistic imaging, position, and symbols to show who a person was. First off, the Egyptians used size in their art. The bigger the person was in an image, picture or carving, the more important they were. For example, in the Tomb of Ti, the fifth Dynasty government official, therefore very high in rank was made much bigger than his men on the “Watching a Hippopotamus Hunt” painting (pg. 61 in the art history book). This is showing that this government official was more important than his men. They also used realistic imaging; a pattern is seen in Egyptian art. People of high importance are done less realistically then the people of lower importance in a government based scale at their time. An example of this pattern is seen with a statue of a ruler and a statue of a common Butcher. The Khafre (pg. 59 in the art history book) is a statue of crowned king, therefore very important. His is tall, at a sitting range his is 5’6 1/8’’ and his build is lifelike, yet perfected. He does not seem to have blemishes, making him look very much god-like. Because the royalty and people with high political power were all big, and god-like, it gives the impression that they were blessed by the gods and the gods were on their side. One the other hand, the common person was typically made much smaller. The sculpture “Butcher” (pg. 60 in the art history book) is a common person. He is 14 5/8’’ and he is made in a very realistic form, not at all “god-like”. His muscles are not defined to the point of unnatural, and he has blemishes him the skin.
The canon of proportions that they Egyptians used, I personally think is completely fine, and can be considered creative, as well as mathematical, and organized. Although it may make some of their artwork seem formal, and too organized, I feel it is really just a style the Egyptians had and thought was pleasing to the eye. I also think creativity was valued in ancient Egypt because they had created their own artistic identity. But I am thinking maybe going outside of that realm was not looked brightly upon in those times because there is such a predictable style to ancient Egyptian art and not much art or history telling that doesn’t fit into the typical ancient Egypt art.
In order for ancient art to be valued today, I don’t think it necessarily has to be a “manifestation of creativity” mostly because we seem to be interested not only in the artistic elements of work, such as composition, color, and materials. But also we are intrigued by the meaning and the history of the art. People all throughout history have been creative in their own stylistic ways of art and symbolism to show what happened in those times, and what was important to the people. I do not think art in the past really has to be a huge display of creativity today to be valued. The expectations of creativity are constantly changing, it would be unfair to hold the people of ancient times to our exceptions of creativity today, even though I think most of the art work is just as creative.

4 comments:

  1. I'm glad that you mentioned hierarchy of scale! This is a very interesting aspect of Egyptian art, and we can see that other cultures (such as Ancient Near Eastern people) were interested in hierarchy of scale as well. My favorite example of hierarchy of scale is from the Palette of Narmer. Narmer looks huge in comparison to his servant (the "sandal bearer") on the left.

    The composite pose (profile head, frontal torso, frontal eye) also ties into the "less realistic" aspect that is associated with people of higher status.

    -Prof. Bowen

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  2. Yes, the Egyptians did use hierarchical scale when depicting humans (and probably animals) in their art. Another artistic convention, the canon of proportions, ensured consistency and visual fidelity in Egyptian art lasting for thousands of years with little variation. Egyptian art is highly stylistic and looks like all the work came from one single artist, even though many different artists over many generations created the art. This could only be accomplished by using the canon of proportions in their art.

    You also make a good point in comparing the common folk, the “Butcher”, with royalty, Khafre. It is my understanding that we rarely see common folk in Egyptian art and usually see royalty and gods.

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  3. The artistic conventions of the Egyptians, including the canon of proportions, are very intriguing. As you point out, it is mathematical, and may be too formal and organized, but it is what the Egyptian style was for hundreds of years. As you also point out, it probably was looked down on to change the way they have been depicting people and animals for many years. You had a very insightful post.

    -Jesse

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  4. I like what you said about the Egyptians creating their own artistic identity. I feel the same way because when you see a piece that is Egyptian it is almost instantly recognizable as so. Also I think they were very creative in the way they approached depicting people in that composite pose style, the figures come out unquestionably human looking. It was also borrowed by other cultures that were exposed to it.

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